As a sculpture between transportation infrastructure, graphics and nostalgia, the design formally accumulates references found directly within our urban surroundings, from traffic islands to signs and signalling—moments of conformity, safety and order, moved into an arrangement of mirror and chrome. What at first glance appears to be a gridded sequence of arms further reveals itself as a structure of irregular and surprising reflections wrapped around Stefan Cooke's pieces. In detail, the design shifts and plays with the perspectives of the viewer, the space and the clothing.